Wine+on+the+Desert+by+Max+Brand

"Wine on the Desert" by Max Brand

==

media type="file" key="Wine on the Desert 3.m4a" width="300" height="50"

There was no hurry, except for the thirst, like clotted salt, in the back of his throat, and Durante rode on slowly, rather enjoying the last moments of dryness before he reached the cold water in Tony's house. There was really no hurry at all. He had almost twenty-four hours' head start, for they would not find his dead man until this morning. After that, there would be perhaps several hours of delay before the sheriff gathered a sufficient posse and started on his trail. Or perhaps the sheriff would be fool enough to come alone.
 * The first sentence establishes the need for water. It's critically important when reading the story to imagine how it feels to be truly thirsty. Is that initial simile effective? How would you describe extreme thirst?**

Durante had been able to see the wheel and fan of Tony's windmill for more than an hour, but he could not make out the ten acres of the vineyard until he had topped the last rise, for the vines had been planted in a hollow. The lowness of the ground, Tony used to say, accounted for the water that gathered in the well during the wet season. The rains sank through the desert sand, through the gravels beneath, and gathered in a bowl of clay hardpan far below. In the middle of the rainless season the well ran dry, but long before that, Tony had every drop of the water pumped up into a score of tanks made of cheap corrugated iron. Slender pipe lines carried the water from the tanks to the vines and from time to time let them sip enough life to keep them until the winter darkened overhead suddenly, one November day, and the rain came down, and all the earth made a great hushing sound as it drank. Durante had heard the whisper of drinking when he was here before, but he never had seen the place in the middle of the long drought.


 * The desert is inhospitable to human life. How has Tony made it possible to live and even thrive in that unfriendly environment?**
 * How does the narrator convey the sense that the desert is alive?**

The windmill looked like a sacred emblem to Durante, and the twenty stodgy, tar-painted tanks blessed his eyes; but a heavy sweat broke out at once from his body. For the air of the hollow, unstirred by wind, was hot and still as a bowl of soup - a reddish soup. The vines were powdered with thin red dust also. They were wretched, dying things to look at, for the grapes had been gathered, the new wine had been made, and now the leaves hung in ragged tatters.


 * What religious language do you note in the paragraph above? What is its purpose?**

Durante rode up to the squat adobe house and right through the entrance into the patio. A flowering vine clothed three sides of the little court. Durante did not know the name of the plant, but it had large white blossoms with golden hearts that poured sweetness on the air. Durante hated the sweetness. It made him more thirsty.


 * How is Tony's home contrasted with the desert?**
 * Why does Durante hate the sweet smell of the flower blossoms?**

He threw the reins of his mule and strode into the house. The water cooler stood in the hall outside the kitchen. There were two jars made of porous stone, very ancient things, and the liquid which distilled through the pores kept the contents cool. The jar on the left held water; that on the right contained wine. There was a big tin dipper hanging on the peg beside each jar. Durante tossed off the cover of the vase on the left and plunged it in until the delicious coolness closed well above his wrist.

"Hey, Tony," he called. Out of his dusty throat the cry was a mere groaning. He drank and called again, clearly, "Tony!"

A voice pealed from the distance.

Durante, pouring down the second dipper of water, smelled the alkali dust which had shaken off his own clothes. It seemed to him that heat was radiating like light from his clothes, from his body, and the cool dimness of the house was soaking it up. He heard the wooden leg of Tony bumping on the ground, and Durante grinned. Then Tony came in with that hitch and side swing with which he accommodated the stiffness of his artificial leg. His brown face shone with sweat as though a special ray of light were focused on it.

"Ah, Dick!" he said. "Good old Dick! How long since you came last! Wouldn't Julia be glad! Wouldn't she be glad!"

"Ain't she here?" asked Durante, jerking his head suddenly from the dripping dipper.

"She's away at Nogales," said Tony. "It gets so hot. I said, 'You go up to Nogales, Julia, where the wind don't forget to blow.' She cried, but I made her go."


 * The dialogue above establishes setting. Where does the story take place?**
 * What is your initial impression of Tony?**

"Did she cry?" asked Durante.

"Julia....that's a good girl," said Tony.

"Yeah. You wouldn't throw some water into that mule of mine, would you, Tony?"

Tony went out, with his wooden leg clumping loud on the wooden floor, softly in the patio dust. Durante found the hammock in the corner of the patio. He lay down in it and watched the color of sunset flush the mists of desert dust that rose to the zenith. The water was soaking through his body. Hunger began, and then the rattling of pans in the kitchen and the cheerful cry of Tony's voice:

"What you want, Dick? I got some pork. You don't want pork? I'll make you some good Mexican beans. Hot. I have plenty of good wine for you, Dick. Tortillas. Even Julia can't make tortillas like me. And what about a nice young rabbit?"


 * How would you describe the nature of the relationship between Durante and Tony?**

"All blowed full of buckshot?" growled Durante.

"No, no. I kill them with the rifle."

"You kill rabbits with a rifle?" repeated Durante, with a quick interest.

"It's the only gun I have," said Tony. "If I catch them in the sights, they are dead. A wooden leg cannot walk very far. I must kill them quick. You see? They come close to the house about sunrise and flop their ears. I shoot through the head."

"Yeah? Yeah?" muttered Durante. "Through the head?" He relaxed, scowling. He passed his hand over his face, over his head.


 * "Muttered" and "scowling." Why does Durante care how Tony kills the rabbits?**

Then Tony began to bring the food out into the patio and lay it on a small wooden table. A lantern hanging against the wall of the house included the table in a dim half-circle of light. They sat there and ate. Tony had scrubbed himself for the meal. His hair was soaked with water and sleeked back over his round skull. A man in the desert might be willing to pay five dollars for as much water as went to the soaking of that hair.


 * What does Tony's preparation for dinner suggest about his character?**

Everything was good. Tony knew how to cook, and he knew how to keep the glasses filled with wine.

"This is old wine. This is my father's wine. Eleven years old," said Tony. "You look at the light through it. You see that brown in the red? That's the soft that time puts in good wine, my father always said."

"What killed your father?" asked Durante.


 * Look closely at the manner in which Durante dialogues with Tony. What questions and conversation intrigue him?**

Tony lifted his hand as though he were listening or as though he were pointing out a thought.

"The desert killed him. I found his mule. It was dead, too. There was a leak in the canteen. My father was only five miles away when the buzzards showed him to me."

"Five miles? Just an hour...Good Lord!" said Durante. He stared with big eyes. "Just dropped down and died?" he asked.

"No," said Tony. "When you die of thirst, you always die just one way. First you tear off your shirt, then your undershirt. That's to be cooler ... And the sun comes and cooks your bare skin. And then you think ... there is water everywhere, if you dig down far enough. You begin to dig. The dust comes up your nose. You start screaming. You break your nails in the sand. You wear the flesh off the tips of your fingers, to the bone." He took a quick swallow of wine.

"Unless you seen a man die of thirst, how d'you know they start screaming?" asked Durante.

"They got a screaming look when you find them," said Tony. "Take some more wine. The desert never can get to you here. My father showed me the way to keep the desert away from the hollow. We live pretty good here. No?"

"Yeah," said Durante, loosening his shirt collar. "Yeah, pretty good."


 * Why do you think Tony goes into such detail regarding the manner in which someone dies in the desert?**

Afterward, he slept well in the hammock until the report of a rifle waked him and he saw the color of dawn in the sky. It was such a great, round bowl that for a moment he felt as though he were above, looking down into it.

He got up and saw Tony coming in holding a rabbit by the ears, the rifle in his other hand.

"You see?" said Tony. "Breakfast came and called on us!" He laughed.

Durante examined the rabbit with care. It was nice and fat and it had been shot through the head -- through the middle of the head. Such a shudder went down the back of Durante that he washed gingerly before breakfast. He felt that his blood was cooled for the entire day.


 * Why does Durante shudder? Is this meant to suggest foreshadowing?**

It was a good breakfast, too, with flapjacks and stewed rabbit with green peppers, and a quart of strong coffee. Before they finished, the sun struck through the east window and started them sweating.

"Gimme a look at that rifle of yours, Tony, will you?" Durante asked.

"You take a look at my rifle, but don't you steal the luck that's in it," laughed Tony. He brought the fifteen-shot Winchester.

"Loaded right to the brim?" asked Durante.

"I always load it full the minute I get back home," said Tony.

"Tony, come outside with me," commanded Durante.


 * Up until this point, would you argue that Durante and Tony are friends? How do you imagine they met?**

They went out from the house. The sun turned the sweat of Durante to hot water and then dried his skin so that his clothes felt transparent. "Tony, I gotta be mean," said Durante. "Stand right there where I can see you. Don't try to get close. Now listen. The sheriff's gunna be along this trail sometime today, looking for me. He'll load up himself and all his gang with water out of your tanks. Then he'll follow my signs across the desert. Get me? He'll follow if he finds water on the place. But he's not gunna find water."

"What you done, poor Dick?" said Tony. "Now look, I could hide you in the old wine cellar where nobody --"

"The sheriff's not gunna find water," said Durante. "It's gunna be like this."

He put the rifle to his shoulder, aimed, fired. The shot struck the base of the nearest tank, ranging down through the bottom. A semicircle of darkness began to stain the soil near the edge of the iron wall.

Tony fell on his knees. "No, no, Dick! Good Dick!" he said. "Look! All the vineyard. It will die. It will turn into old, dead wood, Dick ..."

"Shut your face," said Durante. "Now I've started, I kinda like the job."


 * There is a sudden shift in Durante's behavior and attitude. Why?**

Tony fell on his face and put his hands over his ears. Durante drilled a bullet hole through the tanks, one after another. Afterward, he leaned on the rifle.

"Take my canteen and go in and fill it with water out of the cooling jar," he said. "Snap to it, Tony!"

Tony got up. He raised the canteen and looked around him, not at all the tanks from which the water was pouring so that the noise of the earth drinking was audible, but at the rows of his vineyard. Then he went into the house.

Durante mounted his mule. He shifted the rifle to his left hand and drew out the heavy Colt from its holster. Tony came dragging back to him, his head down. Durante watched Tony with a careful revolver, but he gave up the canteen without lifting his eyes.

"The trouble with you, Tony," said Durante, "is you're yellow. I'd a fought a tribe of wildcats with my bare hands before I'd let 'em do what I'm doin' to you. But you sit back and take it."


 * Is Durante right? Should Tony have fought back?**

Tony did not seem to hear. He stretched out his hand to the vines. "Will you let them all die?" he asked.

Durante shrugged his shoulders. He shook the canteen to make sure that it was full. It was so brimming that there was hardly room for liquid to make a sloshing sound. Then he turned the mule and kicked it into a dogtrot. Half a mile from the house of Tony, he threw the empty rifle to the ground. There was no sense packing that useless weight, and Tony with his peg leg would hardly come this far.

Durante looked back, a mile or so later, and saw the little image of Tony picking up the rifle from the dust, then staring earnestly after his guest. Durante remembered the neat little hole clipped through the head of the rabbit. Wherever he went, his trail never could return again to the vineyard in the desert. But then, commencing to picture to himself the arrival of the sweating sheriff and his posse at the house of Tony, Durante laughed heartily.


 * Why does Tony retrieve his rifle?**

The sheriff's posse could get plenty of wine, of course, but without water a man could not hope to make the desert voyage, even with a mule or a horse to help him on his way. Durante patted the full, rounding side of his canteen. He might even now begin with the first sip but it was a luxury to postpone pleasure until desire became greater.

He raised his eyes along the trail. Close by, it was merely dotted with occasional bones. But distance joined the dots into an unbroken chalk line which wavered with a strange leisure across the Apache Desert, pointing toward the cool blue promise of the mountains. The next morning he would be among them.


 * Make note of the images with which the narrator highlights the danger and aridity of the desert.**

A coyote whisked out of a gully and ran like a gray puff of dust on the wind. His tongue hung out like a little red rag from the side of his mouth, and suddenly Durante was dry to the marrow. He uncorked and lifted his canteen. It had a slightly sour smell; perhaps the sacking which covered it had grown a trifle old. And then he poured a great mouthful of lukewarm liquid. He had swallowed it before his sense could give him warning.

It was wine!

He looked first of all toward the mountains. They were as calmly blue, as distant as when he had started that morning. Twenty-four hours not on water, but on wine!


 * Why does he look first toward the mountains? How do they appear?**

"I deserve it," said Durante. "I trusted him to fill the canteen. I deserve it. Curse him!" With a mighty resolution, he quieted the panic in his soul. He would not touch the stuff until noon. Then he would take one discreet sip. He would win through.

Hours went by. He looked at his watch and found it was only ten o'clock. And he had thought that it was on the verge of noon! He uncorked the wine and drank freely and, corking the canteen, felt almost as though he needed a drink of water more than before. He sloshed the contents of the canteen. Already it was horribly light.

Once, he turned the mule and considered the return trip. But he could remember the head of the rabbit too clearly, drilled right though the center. The vineyards, the rows of old twisted, gnarled little trunks with the bark peeling off ... every vine was to Tony like a human life. And Durante had condemned them all to death!


 * Early in the story, Durante appears as powerful and commanding. Why doesn't he turn around when he learns Tony filled his canteen with wine? After all, he has a revolver.**

He faced the blue of the mountains again. His heart raced in his breast with terror. Perhaps it was fear and not the suction of that dry and deadly air that made his tongue cleave to the roof of his mouth.

The day grew old. Nausea began to work in his stomach, nausea alternating with sharp pains. When he looked down, he saw that there was blood on his boots. He had been spurring the mule until the red ran down from its flanks. It went with a curious stagger, like a rocking horse with a broken rocker. Durante grew aware that he had been keeping the mule at a gallop for a long time. He pulled it to a halt. It stood with wide-braced legs. Its head was down. When he leaned from the saddle, he saw that its mouth was open.


 * Physically, what is happening to Durante? Describe his symptoms.**

"It's gonna die," said Durante. "It's gonna die ... What a fool I been ..."

The mule did not die until after sunset. Durante left everything except his revolver. He packed the weight of that for an hour and discarded it, in turn. His knees were growing weak. When he looked up at the stars, they shone white and clear for a moment only, and then whirled into little racing circles and scrawls of red.

He lay down. He kept his eyes closed and waited for the shaking to go out of his body, but it would not stop. And every breath of darkness was like an inhalation of black dust. He got up and went on, staggering. Sometimes he found himself running.

Before you die of thirst, you go mad. He kept remembering that. His tongue had swollen big. Before it choked him, if he lanced it with his knife the blood would help him; he would be able to swallow. Then he remembered that the taste of blood is salty.

Once, in his boyhood, he had ridden through a pass with his father and they had looked down on the sapphire of a mountain lake, a hundred thousand million tons of water as cold as snow ...

When he looked up, now, there were no stars; and this frightened him terribly. He never had seen a desert night so dark. His eyes were failing; he was being blinded. When the morning came, he would not be able to see the mountains, and he would walk around and around in a circle until he dropped and died.


 * Contrast Durante at the beginning of the story with his description and behavior above.**
 * Why does he focus on the possibility of going mad?**

No stars, no wind; the air as still as the water of a stale pool, and he in the dregs at the bottom ...


 * Does this echo an earlier description in the story?**

He seized his shirt at the throat and tore it away so that it hung in two rags from his hips.

He could see the earth only well enough to stumble on the rocks. But there were no stars in the heavens. He was blind. He had no more hope than a rat in a well. Ah, but devils know how to put poison in wine that will steal all the senses or any one of them. And Tony had chosen to blind Durante.


 * To what is Durante comparing Tony?**
 * Do you believe Tony chose to blind Durante? If not, why does Durante believe that he did?**

He heard a sound like water. It was the swishing of the soft, deep sand through which he was treading -- sand so soft that a man could dig it away with his bare hands...


 * What do the ellipses at the end of this line suggest?**
 * Why doesn't the narrator describe Durante's death in detail?**

Afterward, after many hours, out of the blind face of that sky the rain began to fall. It made first a whispering and then a delicate murmur like voices conversing, but after that, just at the dawn, it roared like the hoofs of ten thousand charging horses. Even through the thundering confusion the big birds with naked heads and red, raw necks found their way down to one place in the Apache Desert.


 * Why are there repeated images of blindness? Return to the story and consider the ways that nature (the desert, the vines, the mountains, the sky) is personified.**
 * Why do you believe the story ends with an image of vultures?**


 * SHARED INQUIRY DISCUSSION QUESTIONS IN WORD DOCUMENT**